My mind today -and in recent days flocking behind me- has been fixated on and simultaneously carried away by, the remarkable words of the Polish writer Bruno Schulz.
Schulz was an artist, painter and illustrator whose work combined an evocative, poetically profound mix of autobiographical and fantastical elements bursting with life; Seemingly tangible assets that create mini apellations for every city block walked and contained within the pages blooming with a garden of detail between each mark of punctuation. He could create something's spring even within the deadness of winter.
"Events here are not an ephemeral phantom on the surface; they have deep roots into things, and touch the very essence."
His words breed and extricate bits of color and imagination even in the dampened, lifeless grayness of the shadows and the typically mundane. His collected words could almost be deemed erotica. They sink into your conscious and then seep deeper into your subconscious, and turn on every fiber of your being. Or at least they do mine.
"That greenery burns, kindled by the sun, while book lungs of leaves pant their fiery chlorophyll. Straggling and voracious armies of nettles devour the floral cultures; they invade the gardens; they proliferate at night where the back walls of sheds and houses go uninspected; they rut in the roadside ditches. Strange, how much frenzied, vain and unproductive vitality is in that eager dash of green substance, that product of sunshine and groundwater."
I have officially fallen prey to the entrancement of his brood; Still lingering in precious printed nests and digital dens like this one ::::
“...the deep meaning of that weakness, that passion for colored tissue, for papier-mache, for distemper, for oakum and sawdust? This is,' he continued with a pained smile, 'the proof of our love for matter as such, for its fluffiness or porosity, for its unique mystical consistency. Demiurge, that great master and artist, made matter invisible, made it disappear under the surface of life. We, on the contrary, love its creaking, its resistance, its clumsiness. We like to see behind each gesture, behind each move, its inertia, its heavy effort, its bearlike awkwardness.”
If you've grown acquiescent you will continue on behind these words